We may present ourselves as musicians, sound makers and producers. But what really defines us as sound artists is how we envision our work, how we weave music and sound design into consistent and descriptive soundscapes established by the sonic strategy.
We craft distinctive soundscapes rooted in storytelling for branding concepts, seamlessly applying them across diverse sectors and transmedia platforms. Our track record includes guiding brands, creative teams, artists, and directors in finding the perfect soundscape for a wide range of projects, spanning from audio branding to fiction films, animation series, exhibitions, and advertising campaigns, among others.
Soundscape
This is how we weave music with sound design.
Our soundscapes are not about calm drones or sounds of nature. They are the fusion of our musical and sonic thinking. We envision the soundscape as the final output according to a single narrative concept: when instruments and sound effects are part of the same discussion, and when we as musicians and sound designers join together as one team.
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Sonic Strategy
Our sound-centric mindset in action.
We develop sonic strategies to empower brands to transcend visual borders and establish unique sonic identities.
Our talent lies in translating the brand’s attributes into tangible and innovative sonic landscapes that leave a lasting and distinctive impression in the realm of brand experience. By constructing a brand soundscape, we envision an audible universe that is uniquely identifiable and applicable across all the brand’s touchpoints.
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Music
We see music as a sonic language that crosses genres and styles.
We prefer not to use the static timbres or moods we already know. As conceptual artists, we base our work on our existing musical background and talent to deliver our best vision.
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Sound Design
We think with our ears.
Our sound design process aims to combine the magnificence and realism of cinema with the incredible ‘wow’ effect of experimental sound art.
We craft sound as an artistic process and avoid the ‘drag and drop’ from sample libraries, preferring to use Foley, synthesizers and field recordings instead. We firmly believe that the creative process enhances the final output of a sound in the projects we work on.
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